![]() ![]() The second is that I'd just be cautious about doing any amount of boosting this drastic in software if you plan to export the audio as a wav or mp3. The first is that these values represent only a band of human hearing rather than the whole range and I'm wondering what you plan to do for 4KHz, a decent amount of information exists outside that range that I'd consider pretty important in music production. ![]() I have two other thoughts to add about this idea. Lets look at your right ear as an example -ĤK is your least affected frequency here, so we'll treat this as baseline and adjust the other bands relative to that, your EQ will look like +20dB +10dB +10dB +0dB then you apply a 40dB gain increase afterwards to get the volume you need to be able to hear. That said, I would also consider just using the EQ to make the relative changes per band, then boost the whole thing up after the fact. Pro-q 3 goes up to 30db changes, but theres no reason you couldnt stack multiple instances of stock EQs on top of each other to get the numbers you need. ![]()
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